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作 者:陈彦均[1]
出 处:《吉林艺术学院学报》2014年第1期31-34,共4页Journal of Jilin University of Arts
摘 要:作为有别于辛夷坞同名小说的次生作品,导演赵薇的处女作《致青春》一经上映就引发了"青春残酷"的话题讨论。本文在肯定其"画面感"和"典型化"文本修辞手法的同时,意图为在后半段影像中因对文字策略的过度偏向所导致的改编机制混乱作出分析,并以此为基点展开对文字与影像辩证关系的反思及对"女性真相"可能性的思考。As a secondary piece of work of Xin Yiwu's novel of the same name, the director Zhao Wei's first movie "To the Youth" has produced the discussion of the "cruel youth" topic. Based on the affirmation of metamorphosis of "imagery" and "stereotype", this article gives the analysis of mechanism of chaos caused by excessive deflection of writing strategies in the second half of the images and provides the visible thinking for the dialectical relationship and "female truth" with the analysis as the basic point.
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