论当代艺术体制下书法文化场的话语生成  

The Discourse Generation of Calligraphy Culture Field under the Institution of Contemporary Art

作　　者：高喜锋[1] 

机构地区：[1]西北大学现代学院,陕西西安710130

出　　处：《吉林艺术学院学报》2014年第1期45-47,共3页Journal of Jilin University of Arts

基　　金：2013年陕西省教育厅基金项目"当代艺术体制下陕西书法文化的价值探寻及其调试性研究"(2013JK0477)阶段性成果

摘　　要：改革开放以来随着市场经济的发展,我国艺术体制也在逐步确立和完善,新的艺术体制为传统的艺术形式书法(文化)提供了新的生存语境。挟持与促生是艺术体制的两个基本特性,对书法文化场的话语生成有着明显的结构性影响。立足当代艺术体制,以审美与历史的双重视角来观照书法文化场的话语生成问题,以期逐步深入探求其话语生成的模式和前景。With the development of the market economy since the reform and open policy, our country gradually establishes and perfects the art system, the system of new art for the traditional art forms. The calligraphy （culture） provides a new context. Hostage and growth are two basic characteristics of the art system; the field of calligraphy culture of discourse generation has obvious structural impact. Based on the contemporary art system, aesthetic and historical perspective cares for calligraphy culture field of discourse generation problems, in order to gradually in-depth explore its discourse generated model and prospects.

关 键 词：当代艺术体制 书法文化场 话语生成 多维融合与期待 

分 类 号：J292.1[艺术—美术]