徐筱汀戏曲研究的主要特色与学术贡献——民国时期戏曲研究学谱之十六  

Main Characteristics and Academic Contributions of Xu Xiaoting's Traditional Opera Research

作　　者：赵兴勤[1] 赵韡[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《中国矿业大学学报（社会科学版）》2014年第1期78-88,共11页Journal of China University of Mining & Technology(Social Sciences)

基　　金：江苏高校优势学科建设工程资助项目(项目编号:PAPD)

摘　　要：戏曲史家徐慕云驰名中外,其弟徐筱汀亦与戏曲结缘,且堪称多面手。在戏曲研究方面,涉及戏曲史、戏曲演出、戏曲教育、戏曲音乐、戏曲服饰等多个领域,且均取得不俗成果,其学术观点屡为国内外著名学者征引;在戏曲创作方面,曾为四大名旦之一的荀慧生写过剧本,并编有《陆文龙》、《打金枝》等轰动一时的剧目。徐筱汀的戏曲脚色研究、戏曲术语研究、"京派""海派"研究等,在一定意义上开风气之先,颇具学术价值。Xu Muyun is a world-famous historian of the traditional Chinese opera.His younger brother Xu Xiaoting also falls in love with Chinese opera.He is versatile in the opera research in that his study covers the Chinese opera＇s history,performance,education,music and costumes,etc.and has achieved great success in these aspects.His academic views have been frequently quoted by distinguished scholars both at home and abroad.His Chinese opera creation includes the plays performed by Xun Huisheng, one of the four leading actors in Beijing opera,and the sensational plays such as“Lu Wenlong”and“Spanking the Princess”,etc.Xu Xiaoting＇s study of opera characters and opera terminology and his study of“Shanghai style” and“Beijing style”,two different schools of Beijing opera,have much academic values for they have blazed the trail in the Chinese opera research.

关 键 词：民国时期 古代戏曲研究 学谱 徐筱汀 

分 类 号：K825.78[历史地理—历史学]