歐陽修的“和氣”與“六一風神”  

Ouyang Xiu's Amiableness and his“Liuyi” Style

作　　者：洪本健[1] 

机构地区：[1]華東師範大學中文系

出　　处：《国学学刊》2014年第2期119-127,144,共9页Research in the Traditions of Chinese Culture

摘　　要：歐陽修個性氣質中的"和氣",早年甚弱,貶滁後變强,至晚年甚强。"六一風神"正源于歐以"和氣"爲主導的人格修養。歷代古文評家争相選録的歐公膾炙人口的佳作,多具備其所特有的風采、情韻、意態,多創作于貶滁後的中晚年。歐貶夷陵後,在《易》理的探究上,深有創獲,視中正之道爲從政處世務必遵循的價值取向和修身爲人務必時刻秉持的道德準則,這對貶滁之後歐公"和氣"的增長有莫大的幫助。《豐樂亭記》與《峴山亭記》是充滿"和氣"的中、老年歐公書寫憂國愛民和謙恭博大情懷的杰作,最見令人心馳神往的風神。"六一風神"即極致的抒情,歐文從容的氣度、蕩漾的筆調、無窮的唱嘆和韻味,都發自歐公真摯闊大的情懷,自然也離不開他那"和氣"主導的令人崇敬的人生。The gentility and amiableness in Ouyang Xiu's temperament grows stronger from his early life to the period when he had been demoted to Chuzhou. The "Liuyi" style originates from his amiable personality. Many of his widely known articles anthologized over generations, in his distinct mood, sentiment and style, have been written during his later life banished in Chuzhou. After he was demoted to Yiling County, he made much deeper observation into Book of Changes and gained much insight. He views the way of the mean as the principle guiding political life and worldly affairs as well as the moral principle one has to observe in self-cultivation, which further strengthens his even and gentle temperament. Fengle Tingji!(豐樂亭記) and Xianshan(峴山亭記)Tingji are his masterpieces of this typical style, exemplifying his amiable spirit, his concern about the nation and people and his modest yet broad outlook."Liuyi" style is defined by exquisite emotional utterance, easy manner and lively rhyme, infinite flavor, all of which spring from Ouyang Xiu's sincere and broad outlook and admirably amiable life.

关 键 词：欧阳修 和气 六一风神 

分 类 号：I206.2[文学—中国文学]