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作 者:杜霖[1]
出 处:《山东女子学院学报》2014年第3期63-67,共5页Journal of Shandong Women's University
基 金:江苏省哲学社会科学基金项目"江苏词文化史研究"(项目编号:07WSB002)
摘 要:活跃于乾隆、嘉庆年间的江苏如皋女词人熊琏在其词作中对"薄命"这一命题有着集中而深刻的思考和表现。基于不幸的婚姻遭遇,"薄命"首先成为了词人对自身命运的理性思考与痛彻抒写,她对个人不幸命运的言说辐射了古往今来众多被损害和被侮辱的妇女的生命状态;在体验自身不幸的同时,词人能够放眼身外,把自身生存经验中获得的薄命感推而广之为对整个女性命运的解读和思考;同时,词人又超越了自我以及性别的局限,为才华卓绝的失职贫士慷慨悲歌,为后世女作家树立了一个理想的"双性同体"的书写模式。In Chinese culture, the phrase "being star-crossed" is a viewpoint of fatalism held by people when they become helpless confronted with some unlucky destinies. Xionglian, a poetess born in Rugao County of Jiangsu Province in Qing Dynasty, focused on this theme in her poetry. Because of Xionglian' s unfortunate marriage, the idea "being star-crossed" always occurred in the poetess' sorrowful expressing of her own life in her works, which reflected the tragic destinies of many insulted and unfortunate women of all ages similar to her own fate. While experiencing her own misfortunes, the poetess expanded her horizons beyond herself and began to think about the destinies of women in the feudal society based on her own "star-crossed life". And then, the poetess established an ideal writing mode of "hermaphrodite" for the women writers in later ages, surpassing the limitations of gender as well as individual and lamenting the tragic destinies of the ambitious but unlucky scholars.
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