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作 者:宋颖慧[1]
机构地区:[1]商洛学院语言文化传播学院,陕西商洛726000
出 处:《商洛学院学报》2014年第3期37-40,共4页Journal of Shangluo University
基 金:陕西省教育厅专项科研计划项目(11JK0259)
摘 要:女佣叙事是中国现代文学中较为普遍和独特的叙事现象。中国现代小说中的女佣叙事总体呈现出模式化的倾向,其中苦难叙事、跨阶层的恋爱叙事和"出走"叙事是常见的三种模式。它们在不同身份和立场的作家笔下有共性,也有差异,承载着多重社会文化功能和作家的独特性思考,也给后世文学中的女佣叙事提供了一定的艺术经验和启示。Narrative of maids is common and unique narration in modern Chinese literature. This kind of narration represents a trend of being patternized in general,among which narrative of distress,narrative of love stories between different classes, narrative of "Running-away" are three of the most common modes.Written by writers with different status and standpoints, these modes not only share commonness but also differ in many aspects.These modes carried multipal social and cultural functions and unique thinking of the writers. Meanwhile, they also provide certain artistic experiences and inspirations to the narrative of maids in the later literature.
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