略论新石器中晚期涂山石崇拜文化艺术内蕴  

On the Cultural and Artistic Connotation of Worship to the Tushan Rocks in the Late Neolithic Period

作　　者：万惠玲[1] 

机构地区：[1]蚌埠学院艺术设计系,安徽蚌埠233030

出　　处：《蚌埠学院学报》2014年第3期43-45,共3页Journal of Bengbu University

基　　金：2013年安徽省教育厅人文社科项目(SK2013B296);2011年蚌埠学院淮河文化研究项目(BBXYHHWH2011B04)

摘　　要：以新石器中晚期涂山石崇拜为视角,对其包含的文化艺术内蕴进行分析;从周边新石器时代石器造型特点与审美意识等线索着手,探索出人类在生存实践中对石的喜爱演化为对石的精神崇拜。石崇拜文化的发展演变与涂山早期的艺术起源、宗教文化、生殖崇拜、祭祀巫术相互联系,对当代地域民俗艺术产生深厚影响。In this paper ,the cultural and artistic connotation was analyzed from the worship to the Tushan Rocks in the late Neolithic period .Based on the clues of shape characteristics and aesthetic consciousness of the stones nearby ,humans′love on stone evolved gradually into spiritual worship to stones in their sur-vival practice .The development and evolution of stone worship culture interacted with Tushan early artistic origin,religious culture,reproductive worship,sacrifice and witchcraft worship,hus it produced profound influence on the contemporary regional folk art .

关 键 词：新石器中晚期 涂山 石崇拜 艺术内蕴 民俗文化 

分 类 号：G122[文化科学]