丢失地方的地方戏——当下地方戏生存忧思  

Local Opera Losing Locality:Worry about the Subsistence of Contemporary Local Opera

作　　者：王长安[1] 

机构地区：[1]安徽省文学艺术界联合会,安徽合肥230001

出　　处：《艺术百家》2014年第3期61-64,共4页Hundred Schools In Arts

摘　　要：对于中国的地方戏而言,地方是它的母体,需要是它的前提,差异是它的本质。本文对当下地方戏所处境遇颇为忧虑:一是需求弱化,个性丢失,中心地位不复存在;二是时过境迁,载体丧失,生存空间日益萎缩;三是先天不足,后天罹患,发展道路愈见迷茫。As regards for Chinese local opera, locality is its basis, need is its premise, and difference is its essence. The author is worried about the circumstance confronted with contemporary local opera. Firstly, people become less and less interested into watching opera ; local opera is losing its peculiarities ; it is no longer that important as before. Secondly, as time goes by, the carrier of local opera is missing, and the substantial space is narrowing day by day. Thirdly, we are confused where it will go with its inherent shortage and later frustration.

关 键 词：戏曲艺术 地方戏 地方性 需求 个性 载体 生存空间 发展道路 

分 类 号：J80[艺术—戏剧戏曲]