六朝画论对庾信前期诗歌创作的影响  

The Influence of Painting Theory of the Six Dynasties on Yu Xin' Early Creation

作　　者：伊赛梅[1] 

机构地区：[1]福建广播电视大学漳州分校,福建漳州363000

出　　处：《漳州职业技术学院学报》2014年第2期43-48,共6页Journal of Zhangzhou Institute of Technology

摘　　要：庾信前期作品,虽说总体上不脱离宫体的窠臼,但清新之作随处可见。在萧氏兄弟力主革新的文风影响下,诗人借鉴六朝绘画理论,把画学的原则和技巧用之于诗,创造出绮丽、清新的诗境,并由此形成了许多新鲜的艺术技巧和手法,为唐代诗歌的发展提供了许多有益的借鉴。Generally speaking, Yu Xin’s early creation didn’t break away from the style of imperial court but refreshingly lucid style could be seen everywhere in his poems. Under the influence of Poets Xiao Gang and Xiao Yi, who advocated to reform writing mode, Yu Xin used painting theory in the Six Dynasties for reference. He successfully combined the painting skill with art principle in his poems and created beautiful and refreshing poetic flavor. His many new art skills and writing methods provided useful reference to the development of poetry creation in the Tang Dynasty.

关 键 词：庾信 前期创作 六朝画论 文学背景 

分 类 号：I207.22[文学—中国文学]