春秋钟离方国金箔装饰艺术文化解析  

Analysis of Gold Decoration Image in the Spring and Autumn the Chungli Country

作　　者：万惠玲[1] 

机构地区：[1]蚌埠学院艺术设计系,安徽蚌埠233000

出　　处：《钦州学院学报》2014年第4期91-94,共4页Journal of Qinzhou University

基　　金：2013年安徽省教育厅人文社科项目:新石器中晚期的涂山石崇拜文化艺术特征研究(SK2013B296);2013年安徽省教育厅人文社科重点项目:淮河流域庙会民俗艺术活动调查与研究(SK2013A107)

摘　　要：蚌埠双墩春秋墓出土的金箔饰件以"鸟、蛇、太阳"为图像,其装饰美感是体现钟离方国地域特色的图腾崇拜文化产物,有着深层的艺术意象发生因素。图像蕴含着宗教内涵的符号,并将多种装饰图像的艺术美感有序糅合在圆形构图中,整体图像的象征符号、图像构图及设计美感更具深邃内涵,与钟离方国的生存繁衍、器物使用、以及阴阳观念等密切联系,也是古淮夷文明的延续。The gold ornaments unearthed in Bengbu Shuangdun Tomb of the spring and autumn have the images of ＂ birds, snakes, the sun＂. Its decorative aesthetic feeling demostrates geographical characteristics of the the Chungli country totem culture product and has deep occurrence factor of artistic images which contains the connotation of religious symbols and the aesthetic feeling of art. The orderly diversified decorative images on a circular composition in the whole image, symbol, image composition and aesthetic design have more profound connotations which reflects the closed relationship between the Chungli country living, objects, and use the concept of yin and Yang , as well as a continuation of ancient Huaiyi civilization.

关 键 词：春秋 钟离方国 金箔装饰 艺术文化 

分 类 号：J525[艺术—艺术设计]