论向培良抗战剧及“戡乱”剧的叙事伦理  

On the Narrative Ethics of Xiang Pei- liang's Anti- Japanese Drama and "Insurgence Suppressing" Drama

作　　者：郭景华[1] 

机构地区：[1]怀化学院,湖南怀化418008

出　　处：《平顶山学院学报》2014年第3期66-71,共6页Journal of Pingdingshan University

摘　　要：战争是人类社会发展进程中最重要的现象,也是对人类影响最为深重、最为久远的客观存在。20世纪爆发在中华大地上的抗日战争和解放战争,极大地影响着中华民族的历史进程,也重塑着中华民族的灵魂思想。作为一名在中国现代戏剧史上有影响的剧作家,向培良的抗战剧和"戡乱"剧,从特定的政治立场出发,体现了作家在不同历史时期对于战争所要表达的伦理道德倾向。War is the most important phenomenon in the development of human society, and is also the outwardness of influencing humanity greatly and long. The Anti - Japanese War and the War of Liberation in China in the twentieth century impacted greatly the course of history of the Chinese nation and reshaped the soul of the Chinese nation as well. As an influential playwright, in the history of modem Chinese drama, Xiang Pei - liang＇ s anti -Japanese drama and insurgence drama from the political stance reflected the ethical inclination that the writer wanted to express for the war in different historical periods.

关 键 词：向培良 抗战剧 “戡乱”剧 叙事伦理 

分 类 号：I206.6[文学—中国文学]