古代论诗诗的体制及其流变  

Genre and Evolution of the Ancient On-poetry Poems

作　　者：于东新[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《内蒙古大学学报（哲学社会科学版）》2014年第3期47-52,共6页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：中国博士后科学基金面上资助一等资助项目(项目批准号:2013M530108);教育部人文社会科学规划基金一般项目(项目批准号:12YJA751075)

摘　　要：作为古代独特的诗学批评文体,论诗诗肇始于春秋时期的"赋诗言志"与以诗论事(人),经过汉魏六朝的酝酿,至唐代杜甫首创用完整的诗篇来论诗,其代表作为《戏为六绝句》。宋金时元好问以《论诗三十首》将杜甫开创的论诗诗推向高峰。明清以降,伴随着中国古代文学理论的成熟,出现了袁宏道、钟惺、钱谦益、王士祯、沈德潜、厉鹗、袁枚、龚自珍,以及一批女性论诗诗作者。他们各骋才情,名作迭出,使得这种特殊的诗体焕发出耀眼的光彩,尤其是论诗词、论诗曲,以及论词诗、论曲曲等形式的出现,标志着论诗诗体制上的新发展。The On-poetry poem is a unique ancient Chinese poetical theory genre. It began from ＂the practice of airing i- deas by poems＂ and the comment on something or someone by composing poems in the Spring and Autumn Period. After the de- velopment during the Han, Wei and Six Dynasties, it was finalized by Du Fu in Tang Dynasty. Du fu expressed poetic intentions from different angles by quatrain form, and Six Quatrains was his masterpiece. The Jin Dynasty poet Yuan Haowen＇s Thirty Onpoetry Poems was the climax of the poetry theorizing poetry after Du Fu. Many scholars made famous on-poetry poems one after another since the Ming and Qing Dynasties. In particular, with the appearance of on-poetry Ci, on-poetry Qu, on-Ci poems and on-Qu Qu, this particular genre was consummated gradually.

关 键 词：论诗诗 体制 流变 诗学思想 

分 类 号：I206.2[文学—中国文学]