浅谈非物质文化遗产的参与式影像记录方法  

A Brief Discussion of Participatory Video Apply in Intangible Cultural Heritage Protection

作　　者：徐村 蒋友燏[1] 

机构地区：[1]湖南大学,长沙410082

出　　处：《艺术与设计（理论版）》2014年第5期147-149,共3页Art and Design

摘　　要：文章讨论在设计参与社会创新的过程中,参与式影像在非遗保护中的应用方法。以参与式影像记录方法为理论指导,尝试非遗传承人以及社区内研究学者共同参与下的拍摄记录方法。以侗锦项目为例,通过参与拍摄工作,"非遗"传承人对于自身文化的认识和保护意识得到了提高。另外,这种方法对于减少外来文化观察者对于"非遗"文化主体的主观影响,保护活动中内在文化持有者的主体意识,有利于影像在设计与社会创新项目中的后期应用。To discuss the possibility of participatory video applying in intangible cultural heritage protection project. Based on participatory video recording method as the theoretical guidance, through the introduction of Inheritors and experts of intangible cultural heritage into the Cinematography team, provide a more objective perspective vision from culture itself at the same time provide more possibility for video outputs. Take Dong Tapestry project as an example, this project is completed under the guidance of method and it has achieved the expected outcomes, while it Heightened all experts and inheritors＇ awareness of protection in team, Introduce participatory video working flow into intangible cultural heritage protection, not only reduced the risk of de-subjectivization tendency but also enhanced the efficiency of protection project, and at the same time it provide more possibilities of outputs.

关 键 词：非物质文化遗产保护 参与式影像 社会创新 侗族织锦 数字化保护 

分 类 号：J931[艺术—电影电视艺术]