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作 者:魏小利[1]
出 处:《宜宾学院学报》2014年第5期93-98,共6页Journal of Yibin University
摘 要:苏轼《和陶诗》作于扬州、惠州、儋州三个时期,共一百多首。以清人王文诰"和韵"与"和意"说为视角,《和陶诗》可分为用陶韵复和陶意的诗歌、只用陶韵而抒己怀的诗歌及改陶韵的诗歌三类。苏轼的《和陶诗》不仅丰富了其个人的诗歌创作,而且经由苏轼和陶,其门人及时人多有仿效,和陶在宋代蔚然成风,绵延至元明清而不绝,和陶俨然成为一种文化现象。There are over one hundred poems of replying to Tao Yuanming by Su Shi, which were written when he was in Yang Zhou, Hui Zhou and Chu Zhou. These poems can be classified into three categories in Qing Dynasty scholar Wang Wenhao' s view. These three classifications are as follows: poems replying in the same rhyme sequence of Tao Yuanming' s poetry with the poetic imagery of Tao Yuanming' s poetry ; poems expressing his own emotion in the same rhyme sequence of Tao Yuanming' s poetry; poems replying in different rhyme sequence from that of Tao Yuanming' s poetry. These poems of Su Shi' s not only enriched the poetic creativity of himself, but also led his students and contemporaries to imitate such a writing style. Replying Tao had become a common practice in Song Dynasty, which stretched all the way to the periods of Yuan, Ming and Qing dynasties, thus bearing a great significance in the history of Chinese literature.
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