关于南戏起源时间问题的思考  

Pondering on the Origin Time of Southern Opera

作　　者：赵兴勤[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《河池学院学报》2014年第3期1-5,共5页Journal of Hechi University

基　　金：2011年度国家社科基金后期资助项目"中国早期戏曲生成史论"(11FZW004)

摘　　要：宋元南戏为最早成熟的戏曲样式之一,是中国古代戏曲史的重要组成部分,以其宏大的结构、丰富的内容以及别具情趣的表演艺术,完善着古代戏曲的形态,至今仍产生着积极的影响。钱南扬在《戏文概论》中推论"戏文的发生,应远在宣和(1119-1125)之前。"辨析各家观点,从南曲戏文所用曲调、海盐腔的产生年代、南戏的流播以及祝允明《猥谈》中的一段记载四个方面,验证钱南扬的观点是可信的。Southern opera is one of the earliest mature opera styles and an important part in the ancient Chinese opera history. With its grand structure, rich content and the temperament of its performing arts, it has perfected the forms of the ancient Chinese opera and produces a positive impact till now. Mr. Qian Nanyang had in-ferred in the Generality of Operas that “the southern opera occurs before the Song Dynasty Tryho（ 1119 - 1125 ）.” This article analyzes various viewpoints and verifies Qian Nanyang＇ s view is credible from four aspects ： the melody of southern opera, the Haiyan tune＇ s origin time, the spread of southern opera, and the record of Mr. Zhu Yun-ming in WeiTan.

关 键 词：南戏 起源时间 思考 

分 类 号：I207.3[文学—中国文学]