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作 者:宋明[1]
出 处:《外语教学》2014年第4期88-91,共4页Foreign Language Education
摘 要:约翰·巴思的短篇故事集《迷失在游乐宫》中的主人公安布罗斯,频繁出现于各个故事,是连接各个故事的纽带。安布罗斯对艺术的思考与追求传载着巴思对叙述艺术的探索。通过探讨安布罗斯的艺术意识与艺术成长的历程,作品对艺术家成长小说的戏仿,以及安布罗斯的艺术成长与巴思的艺术创新之间的关系,旨在指出《迷失在游乐宫》是一部"隐含艺术家成长小说",从而进一步演示巴思对小说艺术的实验与探索及其对我们研究巴思的后现代主义创作思想的重要启示意义。The major character Ambrose in John Barth' s Lost in the Funhome appears frequently in the text and functions as the nexus that connects different stories in the collection. Ambrose' s artistic reflection and quest for artistry represents Barth' s exploration on the narrative art. This paper examines Ambrose' s artistic mind and his artistic development, analyzes Barth' s parody of Kunsflerroman and analogizes the relationship between Ambrose artistic development and Barth' s artistic creation. The purpose of the study is to further demonstrate Barth' s experiment and exploration of art by construing lost in the Funhouse as an implied Kunstlerroman. The discussion of the issue is of revealing significance for the study of Barth' s postmodern poetics.
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