兴发着的审美过程及其内时间意识的构成——论康德《实用人类学》美学思想中的时间性问题  

Emerging Aesthetic Process and Construction of Inner Temporal Consciousness——On the Temporal Issue in Practical Anthropology of Kant

作　　者：刘彦顺[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《求是学刊》2014年第4期109-115,共7页Seeking Truth

基　　金：教育部人文社科一般项目"西方美学中的时间性问题研究";项目编号:11YJA720017;浙江省中青年学科带头人学术攀登项目

摘　　要：在康德《实用人类学》中存在着极为丰富、深刻、透辟的时间性美学思想,他不仅认为文学艺术作品能够开启并完善地持存着人类的兴发性经验,而且从内时间意识是否流畅的构成角度对比了审美活动与科学认知活动的区别。康德还把审美活动置于"生活-之中",为审美价值在时间性的绽出上觅得坚实之所,并把这种时机化实现于流畅的审美活动所呈现的内时间意识之中。There is rich, deep and thought provoking temporal aesthetic thought in PracticaI Anthropology of Kant. He believes that literary works can inspire and keep perfectly human emerging experience, and contrasts aesthetic activity and scientific cognitive activity from the perspective of the construction of a fluent inner temporal consciousness. Kant also puts aesthetic activity in ＂in-life＂ and finds solid place for aesthetics to reveal itself temporally. This revelation is realized in inner temporal consciousness embodied in fluent aesthetic activity.

关 键 词：康德 兴发性 时间性 内时间意识 

分 类 号：B038[哲学宗教—哲学理论] B516.31