叛逆与超越:论新时期女性小说的先锋性  

Rebellion and Transcendence:Avant-garde Creation of Female Novels in the New Period of China

作　　者：张赟[1] 

机构地区：[1]辽宁大学本山艺术学院,辽宁沈阳110036

出　　处：《河北科技大学学报（社会科学版）》2014年第2期69-74,共6页Journal of Hebei University of Science and Technology:Social Sciences

基　　金：辽宁大学青年基金资助项目(2013LDQN21)

摘　　要：纵观新时期文学发展的历程,由女性小说的先锋性特质所带来的变化与革新是文学发展中不可忽视的动力。三十多年间,女性小说的先锋性经历了从初现到凸显,再到张扬,直至消解的历史嬗变过程,在对传统美学秩序的叛逆与超越中,建构起女性独立的话语空间和文体模式,实现了自觉自信的女性文化;女性小说批评中"遮蔽"与"敞开"的碰撞,显示出创作与批评之间的不平衡发展,为女性小说研究提出新的课题;创作主体自身先锋与传统的矛盾统一,又预示着女作家的反抗之舞同时也是镣铐之舞。In the development of the new period literature history,the great changes brought about by female novels have become the key power of literature development that can not be ignored.Over the recent thirty years,female pioneering novels have experienced complex process：from early appearance,to highlight,and then to public,until digestion.In the rebellion of traditional aesthetic order,female writers have constructed an independent discourse space and the style pattern,realizing a consciousness confident culture.Feminine novel criticism of ＂shelter＂ and ＂open＂ ＇collision shows the unbalanced development between creation and criticism,which puts forward a new subject for the female novels study.Pioneer and tradition both exist,which indicates the authoress against dance in chains.

关 键 词：新时期 女性小说 先锋性 叛逆 超越 

分 类 号：I207.4[文学—中国文学]