1980年代中国先锋小说的起源与形态——兼议汪曾祺小说的文学史定位  

The Origin and Form of China's Vanguard Novels in the 1980s——A Concurrent Discussion on the Location of Wang Zengqi's Novels in the Literary History

作　　者：张晓峰[1] 

机构地区：[1]对外经济贸易大学中国语言与文学学院,北京100025

出　　处：《海南师范大学学报（社会科学版）》2014年第4期21-28,共8页Journal of Hainan Normal University(Social Sciences)

基　　金：国家社科基金一般项目"爱荷华国际写作计划与当代汉语写作的国际化研究"(项目编号:11BZW109)

摘　　要：80年代中国先锋文学在当时文化语境中的初衷,是反对"文艺载道"等要求和标准。先锋派所体现出来的核心艺术精神应该是反抗和否定,而文学史对于"先锋"文学的界定则比较混乱。汪曾祺被"先锋"作家们尊为"源头",但二者之间的归宿又迥然不同。广义的"先锋文学"被认为是有地域性和时间性的,当代文学史上的"先锋文学"是针对当时的中国经验而言的,而汪曾祺的小说不存在过时的问题,它们在产生的当时就产生了文学史的意义。而随着时光推移,它们依然独特,并具有很高的文学价值。汪曾祺和受他启发的"先锋"作家们有着真正的区别,这些区别有助于人们重新认识中国的"先锋文学"。In the then cultural context,the Chinese vanguard literature in the 1980s aimed to oppose such requirement and norms as the utilitarian and enlightening functions of literature and art,etc. Despite the core art spirit embodied by the avant-garde—rebellion and negation,there has been in the literary history a rather confusing definition of＂avant-garde＂literature. While Wang Zengfeng has been revered as the＂source＂of avant-garde literature by writers of that school,they have arrived at different destinations respectively. In a broad sense,＂avantgarde literature＂is regional and time-bound,and the＂avant-garde literature＂in the history of contemporary literature is approached in line with the then Chinese experience,so Wang Zengqi＇s novels are not outdated,because they have attained some significance in the literary history in times of their creation. Moreover,with the passage of time,Wang＇s novels have still remained unique and have enjoyed high literary value. Wang Zengqi is virtually different from writers of ＂avant-garde literature＂under his enlightenment,which is of help to a recognition of China＇s ＂avant-garde literature. ＂

关 键 词：先锋文学 起源 形态 汪曾祺 文学史 

分 类 号：I206.7[文学—中国文学]