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作 者:李琼[1]
出 处:《北京舞蹈学院学报》2014年第3期62-65,共4页Journal of Beijing Dance Academy
基 金:湖南省哲学社会科学基金项目"生活;规训与作品--古典芭蕾身体语言形态研究"(项目编号:11YBB032)课题论文
摘 要:古典芭蕾先后经历了早期芭蕾时期(启蒙主义时期)、浪漫芭蕾时期、古典芭蕾时期和现代芭蕾时期。纵观其发展,古典芭蕾以顽强的生命力一直活跃于世界舞坛长久不衰,除了诸多舞台经典剧目之外,其科学严谨的职业化训练是强有力的支撑。本文拟从古典芭蕾的训练者和受训者两个方面,以舞蹈身体语言为分析视角,解析古典芭蕾训练形态的发展,为研究古典舞蹈训练形态的语言特征提供一种思路。Classical ballet has undergone a period of early ballet ( the Enlightenment period) , the romantic era ballet, classical ballet and modern ballet during the period. Throughout its development, the vitality of classical ballet to the world dance scene has been active in a long- lasting, in addition to numerous stage classical repertoires, its scientifically rigorous professional training is strong support. This paper from the classical ballet both trainers and trainees to analyze the body language of dance to classical ballet training perspective analytic form of development for the study of language; training in classical dance form characterized by providing an idea.
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