宋代诗论中的“鬼诗”与“鬼语”  

The poetry of the Song Dynasty in the view of the “ghost” of poetry

作　　者：张振谦[1] 

机构地区：[1]暨南大学中文系,广东广州510632

出　　处：《中南大学学报（社会科学版）》2014年第3期197-201,共5页Journal of Central South University：Social Sciences

基　　金：国家社科基金后期资助项目"宋代道教与诗歌"(12FZW036);中央高校基本科研业务费专项资金资助项目(13JNQN014);暨南大学引进人才配套项目"道教与宋代文学"(50625071)

摘　　要：在宋代诗学批评中,"鬼诗""鬼语"成为常用术语。诗歌内容摹写幽冥世界、诗风凄艳幽冷且空幻飘逸、情感基调以悲为美是宋代文人对"鬼诗"基本内涵的确认。以"鬼"论诗强调诗境的清迈出尘、诗人的妙手灵心,多为正面评价。以"鬼"论诗的流行受宋代谈鬼的社会风尚及传统诗学神秘化思维的影响较大,也与宋人对李贺的阐释和接受有关。In the Song Dynasty Poetics Criticism, “ghost poems”, “ghost language” have become a common terminology. Poetry, poetic style sad depict the nether world and cold and empty elegant, emotional tone with sadness as beauty is the literati to confirm the basic connotation of the“ghost poem”. Ling’s heart with“ghost”poetry emphasizes poetic Chiang Mai dust, poet, mostly positive assessment. The“ghost”popular Song Dynasty poetry was influenced by talking about ghosts social fashion and traditional poetics mysterious thinking big, and the interpretation of Li He’s acceptance.

关 键 词：宋代诗学 鬼 鬼诗 鬼语 李贺 

分 类 号：I207.22[文学—中国文学]