从“古装新戏”的程式创造看梅兰芳的创新意识  

On Mei Lanfang's New Concept from the Perspective of the Stylized Performing of Ancient Costume Modern Play

作　　者：梁燕[1] 

机构地区：[1]北京外国语大学中国海外汉学研究中心

出　　处：《戏剧（中央戏剧学院学报）》2014年第3期14-23,共10页Drama:The Journal of the Central Academy of Drama

摘　　要：本文通过对20世纪前期梅兰芳"古装新戏"程式创造的观照,探讨了梅氏在京剧旦角舞台艺术表现方面的卓越成就,梳理了梅氏舞蹈程式、情感程式和舞台造型的特点,分析了梅兰芳在程式创造上对传统的尊重与借鉴,以期为当下戏曲艺术的创新实践提供一定的历史借鉴。Based on the illustration of the stylized performing format of ancient costume modern plays by Mei Lanfang, this article explores the outstanding contributions of Mei Lanfang to creating artistic female roles on stage, indicates the characteristics of stylized dancing, stylized emotion patterns and the stylized images on stage. Consequently, the article analyzes Mei Lanfang＇s respect to the tradition and his borrowings from the inheritance and expects to provide some historical references for current operas performance.

关 键 词：古装新戏 程式创造 梅兰芳 创新意识 

分 类 号：J821[艺术—戏剧戏曲]