赛诺·古米拉·阿吉达玛的《雅加达2039》与印尼戏剧的良知  

Seno Gumira Ajidarma's Jakarta 2039 and the Conscience of Indonesian Drama

作　　者：石峻山 

机构地区：[1]南京大学文学院,南京210093

出　　处：《文化艺术研究》2014年第2期113-119,共7页Studies in Culture and Art

基　　金：加拿大人文社科研究委员会硕士及博士奖学金;美国亚洲研究学会研究资金;印度尼西亚政府Darmasiswa奖学金资助项目

摘　　要：赛诺·古米拉·阿吉达玛的话剧《雅加达2039》把1998年排华骚乱背后所反映的社会痼疾看作印尼当代文化一个核心问题。赛诺认为,暴乱是印尼所有人身上无法消除的污点,种族主义仅是更为复杂的社会体系和政权运作内在矛盾的表征。赛诺指出,1998年暴乱实质是国家暴力侵入和破坏社会族群生态的体现,印尼政府将此作为转移民众视线的手段。这种做法给印尼民众带来了深重的心理创伤。In the play Jakarta 2039, Seno Gumira Ajidarma regarded the chronic social disease behind the anti-Chinese riot in 1998 as a core issue in the contemporary Indodenian culture .Seno believed that the riot was an indelible stain of all Indonesians , and racism was only a representation of the more complicated inherent contradictions between the social system and political power operation.As he pointed out, the riot in 1998 in fact reflected the intrusion of state violence and destruction of social ethnic ecology;the Indonesian government used this as a way of diverting public attention but caused a grave emotional trauma to Indonesian people .

关 键 词：印尼排华 赛诺 新秩序 种族主义 东南亚戏剧 

分 类 号：J83[艺术—戏剧戏曲]