蔡邕的赋学思想研究——兼及汉魏文学观念的转变  

The Study on Ode Thought of the Famous Writer Cai Yong During Han and Wei Dynasty

作　　者：杨齐[1] 曹艳华[1] 

机构地区：[1]定西师范高等专科学校中文系,甘肃定西743000

出　　处：《甘肃高师学报》2014年第3期6-9,共4页Journal of Gansu Normal Colleges

基　　金：湖北省教育厅人文社科研究重点项目"蔡邕文学艺术作品的美学价值研究"(20100055)阶段性成果;甘肃省教育厅科研项目"从东汉桓灵二帝到建安时期的诗学嬗变研究"(0818B-01)阶段性成果

摘　　要：处于东汉晚叶的文学家蔡邕受到社会形势特别是辞赋创作实际的影响,通过创作和理论引导把辞赋从经学控制中抽离出来,使之不再担任"匡国理政"的重任,而更多的走向个体人生,走向世俗情感,走向"聊以游意",回归文学的审美本质。蔡邕对辞赋的创作肯定态度、对辞赋审美愉悦功能的肯定、从艺术层面的分类以及内容上情怀的抒写构成了一个比较完善的赋学理论体系,对东汉晚叶以及建安时期甚至整个中国古代的文学创作与文学理论发展产生了重要影响,具有一定的价值意义。Affected by social circumstances especially ode Composition, Cai Yong who as a writer living in later Han Dynasty separated ode from Confucian Classics through his theory and creation. So, be taken off it＇s responsibility for national affairs, ode moved towards personal life, temporal affection, ＂only for entertainment＂and returned to its literature esthetical characteristic. Cai Yong＇s positive attitude towards ode creation and esthetical entertainment function, artistic classification, the thoughts and feelings expressed in the content had formed a perfect ode theory system. The ode theory system formed by Cai Yong which had some deep significance not only influenced the poetic of later Han and Jian An Dynasty but also the development of literature creation and poetic theory in the whole Chinese antiquity.

关 键 词：蔡邕 赋学理论 创作态度 审美愉悦功能 艺术分类 抒写情怀 

分 类 号：I206.24[文学—中国文学]