沧州地域民间美术现状与发展  

Current Situation and the Development of Cangzhou Local Folk Art

作　　者：王川进[1] 

机构地区：[1]沧州师范学院美术学院,河北沧州061001

出　　处：《沧州师范学院学报》2014年第2期103-105,共3页Journal of Cangzhou Normal University

摘　　要：我国民间美术起源于原始先民的生产实践,以"言传身教"的方式传承发展。随着科技不断进步,民间美术与现代社会的生产生活渐行渐远。虽然部分爱好者进行收藏研究,但认识到民间美术价值的人越来越少,如何有效保护和发展我国民间美术迫在眉睫。面对这一现状,沧州民间美术应在继承传统和保持地域特色的基础上,适应经济发展需求,满足时代的审美观,寻求新的发展之路。The Chinese Folk Art originated in the work of the Primitive people,inherited and passed down by words and practice.With the development of Science and technology,the Folk Art drifted away from modern society.With a few collections and researches of some fans,the value of the Folk Art receives less and less recognition.Therefore,faced with such a situation,how to effectively protect and develop the Chinese Folk Art is imminent.Cangzhou Folk Art should meet the needs of economic development and the needs of the aesthetic view of the age on the basis of inheriting traditions and maintaining local characteristics.

关 键 词：民间美术 地域特色 发展现状 创新 

分 类 号：J528[艺术—艺术设计]