徐渭《玄抄类摘序说》解析  

Analysis of Xu Wei's Meditative Class Field Theory

作　　者：张卫东[1] 

机构地区：[1]连云港师范高等专科学校艺术系,江苏连云港222006

出　　处：《连云港师范高等专科学校学报》2001年第1期88-91,共4页Journal of Lianyungang Normal College

摘　　要：本文从三个方面对徐渭《玄抄类摘序说》进行解析 :一、由于明朝整个时代的文化心理与社会文艺心态扭曲变形造成了明朝书坛日趋萎靡的书风 ,针对这个书法历史现状 ,徐渭提出此论。二、对徐渭书论中提出的雷太简“江声中笔法何从来哉”进行剖析 ,解释徐渭书论中所指出“悟”和“书神为最”与我国哲学的关系。三、从书法论著的发展史角度来分析“心为上 ,书神为最”这个书法论点 ,以及徐渭《玄抄类摘序说》的学术意义 ,阐述笔者所理解的书法本质、书法精神境界。The article analyzes Xu Wei's Meditative Class Field Theory from three points. First, according to the historical situation of Ming Dynasty Handwriting, it analyzes the background of the Theory. Second, according to the explanation of the origin of Lei Jianfu's style cin JiangSheng Copybook which is referred in the theory, it analyzes the relationship between nature of handwriting and awakening to truth in Chinese Philosop by in the theory. Third, according to the historical development of Handwriting works, it analyzes the point 'Meditative Mind is highest, Handwriting Spirit is Best' and academic value of the theory. And it is by analyzing the theory that it expresses the writer's understanding of handwriting nature Spirit visual performance and aesthetic realm.

关 键 词：徐渭 《玄抄类搞序说》 书法美学 书法本质 书法美 明代 

分 类 号：J292.1[艺术—美术]