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作 者:陈敏[1]
出 处:《汕头大学学报(人文社会科学版)》2001年第2期101-107,共7页Journal of Shantou University(Humanities and Social Sciences Edition)
摘 要:本文针对潮汕摄影人创作心态、创作状况,特别是对乡土摄影、民俗摄影、怀旧摄影等大量图像文本的深层语义所作的文化解释,力求描述并揭示在中国改革开放的大过渡时期发生的社会转型及文化变迁。This paper, by presenting an analysis of the photographic creations and the creation mentality of photographers, and especially by offering a cultural interpretation for the deep-lying implications as reflected in the many photos, including countryside photos, folk photos, and cherish-the-past photos. attempts a description and disclosure of the social transform and cultural transition occurred during the important transitional stage of China's reform and opening to the outer world.
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