新诗格律化的重大理论发现与拓展——略论陶保玺对“郭小川体”的理论升华  

The Important Theoretical Discovery and Development of New Poemsin rules and Forms

作　　者：陈发玉[1] 

机构地区：[1]铜陵财经专科学校,安徽铜陵244000

出　　处：《淮南师范学院学报》2001年第1期53-58,共6页Journal of Huainan Normal University

摘　　要：陶保玺以《新诗大千》填补了我国新诗“文体批评”的空白。其中对“郭小川体”的论析,是对新诗格律化的一种超越之论。在该书问世一年后,陶先生又发表了《郭小川对中国现代格律诗的贡献》。该文对郭小川诗的理论概括和美学升华,又有新的提法。在借鉴卞之琳先生的“参差均衡律”一说后,他更加坚定并发展了他对“郭小川体”的认知。在弘扬郭小川现代格律诗具有“参差均衡美”的同时,他进一步评价郭小川在新诗格律化发展史上的超越前辈和同辈诗人的历史地位。郭小川所做的贡献是创作实践上的,而陶先生在新诗格律化理论方面的建树,也同样是彪炳史册的。陶保玺的诗学理论更有着重大的现实意义和深远的历史意义。A Panorama of the New Poems' by Tao Baoxi has filled in the blank of' style critics' in new poems in our county. The comment and analysis on 'Guo Xiaocuan Style' in it is so instructive that it transcends the average views. Now, one year after the book came out, Mr. Tao has published 'Guo Xiaocuan's Contributions to China's Modern Poems' in which the writer not only theoretically summarized and esthetically distilled Guo's poems, but put forward a new understanding. With reference to Mr. Bian zhilin's 'Unevenness and balance Theory', he firmly believes in and strengthens his view toward 'Guo Xi-aocuan's Style'. While setting high store by Guo's poems of 'beauty of unevenness and balance', he's further raised Guo's role in the history of development of rules and forms of new poems to a new height, a role which he thinks transcends his forerunners and his fellow poets. The contribution Guo Xiaocuan has made is reflected in his creation of works while the achievement Mr. Tao has made in the theories on rules and forms of new poems is also everlasting. His theories in this regard has an important realistic significance and far-reaching historical significance.

关 键 词：《新诗大千》 郭小川体 现代格律诗 参差均衡律 理论发现 陶保玺 文体批评 

分 类 号：I207.25[文学—中国文学]