略论中国文学中媒妁形象的审美意义  

A Brief Talk on the Aesthetical Value for Matchmaker Image in Chinese Literature

作　　者：邓云[1] 

机构地区：[1]广东农工商职业技术学院政经系,广东广州510507

出　　处：《广东农工商职业技术学院学报》2001年第4期63-69,共7页Journal of Guangdong Agriculture Industry Business Polytechnic

摘　　要：中国文学中的媒妁形象以强烈的感情色彩、鲜明的美丑对比和浪漫多变的形象类型等美学特征，在中国文学形象的画廊中独树一帜。其审美意义在于：它是我们认识封建时代被当时社会文化所忽略了的女性生活的“窗口”；也是封建时代长期被压抑的女性发泄不满情绪和表达对幸福美满婚姻向往的载体；媒妁活动的程式化、游戏化、艺术化的发展过程，为我们研究生活和艺术的关系提供了丰富的材料。With a striking colors of sentiment, distinct contrast between beauty and ugliness and full of image in romantic diversity as the aesthetic features, the image of matchmaker in the Chinese literature had set a distinctive flag in the gallery of literature, wherein the aesthetics implied that: It was a 'window' for the feminine society as a social culture neglected by the people to recognize the feudalist times; a conveyer for the feminality who were oppressed for a long period during the feudalist society to air their grievances and express their yearning for a happy life and the process of development in stylization, recreationalization and artisticality of matchmaker activities have provided abound materials to us in studying the relationship between life and art.

关 键 词：中国文学 媒妁 艺术形象 审美意义 

分 类 号：I206[文学—中国文学]