闲情赋“劝百而讽一”原因试探  

Research on the Cause of "Encouraging Most but Satirize the Few" in the Fu of Pleasure

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作  者:张克锋[1] 杨天才[2] 

机构地区:[1]甘肃教育学院中文系,甘肃兰州730000 [2]兰州大学中文系,甘肃兰州730000

出  处:《甘肃教育学院学报(社会科学版)》2001年第4期39-42,共4页Journal of Gansu Education College(Social Sciences)

摘  要:自东汉后期至魏晋时期 ,以闲情为主题的赋都具有“劝百而讽一”的特点。产生这种现象的原因 ,前人皆认为是由于“发乎情止乎礼仪”的礼教原则的束缚。然而事实上 ,汉末魏晋时代是一个儒学崩溃的时代 ,反礼教蔚然成风 ,士人普遍重情而又以理节情 ,这说明闲情赋的“劝百而讽一”并非是“以礼节情”的结果 ,而是个体生命的本能冲动与有利于个体生命存在的欲求内在冲突的表现。From the later stage of Eastern Han Dynasty to the period of Wei and JinDynasty, the Fu that prevented the emotion from spreading had the characteristic of encouraging most but satirize the few. The predecessors thought that the reason producing the characteristic was that the yoke of the feudal ethical code, which originated from emotion but ended in rite. However, in fact, it was an era when the Confucian school collapsed. The current of fighting against the feudal ethical code had become common practice.Literatus and officialdom commonly valued the emotion and controlled it through reason.It showed that encouraging most but satirize the few of the Fu that prevented the emotion from showing was not the result from controlling emotion through reason but the instinct impulse of individual life and desirous inner contradictions that were advantageous to the individual life's existence.

关 键 词: 《闭情赋》 魏晋时期 陶渊明 礼教原则 

分 类 号:I207.22[文学—中国文学] I206.2

 

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