修辞术与“古今之间”:论当代爱尔兰诗人迈克尔·朗利的“史诗书写”  

Rhetoric and “Parallel between the Ancients and Moderns”: On Contemporary Irish Poet Michael Longley's “Epic Writing”

作　　者：孙红卫 Sun Hongwei(School of Foreign Studies, Nanjing University,Nanjing, Jiangsu Province, China)

机构地区：[1]南京大学外国语学院,江苏南京210046

出　　处：《外国文学》2018年第6期46-59,共14页Foreign Literature

基　　金：国家社会科学基金青年项目"北爱尔兰诗人保罗.马尔登研究"(14CWW014)

摘　　要：当代爱尔兰诗人迈克尔·朗利在其诗作中多次引入荷马史诗中的诗节或意象,以具有"地方色彩"的词汇予以再现,重新彰显了其中为柏拉图诗学所贬损的形象或文辞,思索了暴力、哀悼与和解等主题。本文引入西蒙娜·薇依、朱迪斯·巴特勒等思想家关于史诗的论述,探讨朗利的"史诗书写",指出其"荷马诗节"既承继了古典世界的深蕴与厚重,又附加了当代政治的现实感与紧迫性,不仅是援古证今的修辞术,还是隐晦的诗学策略,指向了一种"反柏拉图"的"脆弱美学"。Contemporary Irish poet Michael Longley frequently makes use of stanzas and images from Homer's epics, renders them into local-colored language, and foregrounds those portrayals and descriptions deprecated by Plato, in order to reflect on the issues of violence, mourning and reconciliation. This paper draws on insights of Simone Weil and Judith Butler to discuss Longley's "epic writing." It puts forward that his Homeric stanzas not only carry on the sophistication and depth of the Classical world but also incorporate the sense of reality and immediacy of contemporary politics. Thus they are not just rhetorical devices of allusions but cryptic poetic strategies, pointing to an anti-Plato aesthetic of fragility.

关 键 词：北爱尔兰 荷马 哀悼 和平 脆弱性 

分 类 号：I562[文学—其他各国文学]