艺术电影的诗性复归——以电影《八月》《路边野餐》《长江图》为例分析  

The Poetic Return of Art Films

作　　者：黄亚利[1] Huang Yali

机构地区：[1]中国传媒大学艺术研究院

出　　处：《传媒观察》2018年第12期89-92,共4页Media Observer

摘　　要：在当下商业电影占据市场主流的消费语境中,电影创作者依旧对艺术电影进行着行之有效的挖掘与探索。电影《八月》《路边野餐》《长江图》是2016年广受关注的三部“文艺”气息浓厚的艺术电影,其也透露出新锐青年导演对诗意美学的热衷。电影的诗性回归体现出电影创作者们对艺术本原精神的捍卫,也成为独树一帜的影像标杆。然而虽然此类影片荣誉满载,但针对叙事文本和表达方式的大众解读仍有待电影人的持续思考。In the current environment where commercial films occupy the mainstream of the market,many film producers continue to work on art films.The film "August","Roadside Picnic" and "Crosscurrent"are the three art films with a lot of attention in 2016.They reveal the enthusiasm of young directors for poetic aesthetics.The films'poetic return shows their attempt to safeguard the original spirit of arts and become a unique benchmark.Despite the many awards that they've won, it's thought provoking in terms of the public interpretation of narration and expression.

关 键 词：艺术电影 诗性复归 童年和故乡 写实和写意 

分 类 号：J901[艺术—电影电视艺术]