田纳西·威廉斯后期剧作的思想转向——以家庭剧为例  

The ideological turning of Tennessee Williams's later plays: A study of family drama

作　　者：晏微微[1] 

机构地区：[1]黄冈师范学院外国语学院,湖北黄州438000

出　　处：《西安外国语大学学报》2018年第4期114-118,共5页Journal of Xi’an International Studies University

基　　金：外教社全国高校外语教学科研项目"田纳西.威廉斯后期剧作‘转型’的文化透视"(项目编号:2017HB0063B)的部分研究成果

摘　　要：田纳西·威廉斯的戏剧创作可以1961年为界,分为前后两期。从威廉斯前后期戏剧的婚姻家庭书写、社会政治书写和南方意识表达等几个层面的对比中可以洞悉后期剧作的思想转向。本文以威廉斯创作的家庭剧为主要考察对象,指出虽然威廉斯在前期剧作中通过揭示传统家庭中的种种纠葛来质疑传统道德,但其精神内核是对传统家庭模式的认同。随着20世纪60年代以来后现代文化在美国的生成与滋长,威廉斯在其后期戏剧创作中着重揭示现代婚姻家庭制度在后现代文化语境中所经受的严峻挑战,反思传统婚姻关系和家庭模式的合理性,反映女性、同性恋等亚文化群体的身份诉求。剧作家以强烈的反叛意识和先锋精神,呼吁后现代家庭模式的建构。By comparing the plays written before and after 1961,we can figure out the ideological turning of Tennessee Williams’ s later plays. The essay observes Williams’ s family drama,pointing out that although Williams questioned about traditional moral concepts in his earlier plays,the approval of traditional family model was the spiritual core. As the generating and spreading of postmodern culture,Williams revealed the challenge that modern marital system faced in his later plays. He rethought the rationality of traditional marital relationship and family model,expressing identity quest of women and homosexuals,and advocating construction of postmodern family model.

关 键 词：田纳西·威廉斯 后期剧作 思想转向 家庭剧 

分 类 号：I712.073[文学—其他各国文学]