论金元两代草原文化对“西厢故事”的介入  

On the Intervention of the Grassland Culture of the Jin and Yuan Dynasties on the "the West Chamber Story"

作　　者：马会[1] MA Hui(School of Literature,Chi f eng College,Chifeng 024000,China)

机构地区：[1]赤峰学院文学院,内蒙古赤峰024000

出　　处：《前沿》2018年第5期131-136,共6页Forward Position

摘　　要：草原文化的介入使"西厢故事"发生了质的转变,文章侧重对诸宫调《西厢记》和元杂剧《西厢记》的同中之异进行探讨。对两个《西厢记》文本中的抢婚故事进行故事形态分析,并以此为基础探讨金元两代草原文化在介入"西厢故事"时的不同表现,对草原抢婚习俗和草原文化女性观两方面的介入进行分析,指出由金到元草原文化对"西厢故事"的介入逐渐趋强。The intervention of the grassland culture has made a qualitative change in the " West Chamber Story".The article focuses on the differences between the Zhu Gong Tune "The West Chamber" and the Yuan Drama "The West Chamber".Based on the analysis of the story of the two wedding stories in the text of the West Chamber,this paper explores the different manifestations of the two generations of grassland culture in the Jin Dynasty in the "West Chamber Story",and on the grassland bride kidnapping customs and grassland culture women.The two aspects of the intervention analysis,pointed out that the involvement of the Jin and Yuan dynasties grassland culture in the "West Chamber story" gradually strengthened.

关 键 词：草原文化 西厢记 抢婚故事 

分 类 号：I29[文学—中国文学]