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作 者:袁佳 YUAN Jia(Department of Chinese Ethnic and Folk Dance,Beijing Dance Academy,Beijing 100081,China)
机构地区:[1]北京舞蹈学院中国民族民间舞系,北京100081
出 处:《北京舞蹈学院学报》2018年第5期44-49,共6页Journal of Beijing Dance Academy
摘 要:本文纵观康巴尔汗、阿吉·热合曼、玉米提的盘子舞和当今学院派教学组合编排、剧目创作,通过比较和归纳维吾尔族盘子舞创作的历时性变化,提炼出盘子舞技术挂帅的审美趣味、动作语言的情感交流这两大创作特点,以供未来教学与编创参考。The paper reviews the evolution and diachronic changes of Uygur’s plate dance,and analyzes the different ways of contemporary creations. Through comparison and summarization,this paper analyzes the similarities and differences of creation and the tendency of the plate dance techniques with various styles. In addition,the paper makes reflections on the creation and education of folk dance in the present time.
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