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作 者:夏珩 陈佳镔 彭嫱 XIA Heng;CHEN Jiabin;PENG Qiang
机构地区:[1]深圳大学建筑与城市规划学院,广东518060 [2]汕头大学长江艺术与设计学院,广东515063 [3]OJO一OYO预制工坊,广东518060
出 处:《新建筑》2018年第6期8-13,共6页New Architecture
摘 要:以"蚁窑"为对象,调查记录了粤东潮州地区三年来十余个案例,从建构研究角度为此现象提供一个积极的注脚:采访当地工匠的建造经验;揭示"蚁窑"设计建造过程中涉及的多个设计议题;用数字模型测试、验证当地工匠砌筑窑体形态的经验公式;分析"蚁窑"呈现美感的图底关系。并横向比较了它与日韩类似案例、西方"火人节"构筑物之间的差异。这些研究有助于记录、活化、传承与发扬这一传统乡村古俗与文化遗产。To figure out a tectonic illustration of this kind of brick tower, 10 cases in the Chaozhou Prefecture in eastern Guangdong was investigated fundamentally. For comparison,4 more cases were added, 1 in Shantou, 2 in Foshan, Guangdong, and 1 in Ji’an, Jiangxi. The local masters were interviewed with respect to the construction experience. Furthermore, various design issues of the tower construction were revealed and the principles to control the battered tower body during construction were demonstrated, with digital and physical models. Then the figure-ground relationship of the Gestalt theory was applied to understand its aesthetic quality.Also, a brief contrast between this vernacular construction and those of similar cases in Japan and South Korea and "Burning Man Festival" in the West was conducted. It would help to record, revitalize, inherit and carry forward this traditional and cultural heritage.
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