克拉考尔关于电影手段的“特性界限”论  

Siegfried Kracauer's Characteristic Parameter Theory of Cinematic Medium

作　　者：王杰泓[1] 杨秀刚[1] WANG Jie-hong;YANG Xiu-gang(School of Arts,Wuhan University,Wuhan 430072,Hubei,China)

机构地区：[1]武汉大学艺术学院,湖北武汉430072

出　　处：《武汉理工大学学报（社会科学版）》2018年第6期149-153,共5页Journal of Wuhan University of Technology:Social Sciences Edition

摘　　要：电影手段的"特性界限"是德国电影理论家、艺术史家克拉考尔联系电影与物质现实展开论述的出发点。在《电影的本性——物质现实的复原》一书中,电影手段的特性界限实际是一个复合区间:它的最低界限是纪录和揭示物质现实,之后界限上浮、需要摄影机进行更深入的探索,而这一区间的上限则是达到写实与造型、物质纪录与精神创造的平衡。克拉考尔把电影手段的特性归结为现实主义倾向,其内在逻辑是将电影视为一种物质现实的存在,这背后潜隐着深刻的历史文化动因。Based on the connection of film and corporeal reality,Siegfried Kracauer discussed the characteristic parameter of cinematic medium.In his bookTheory of Film :The Redemption of Physical Reality,Siegfried Kracauer holds the opinion that the characteristic parameter of cinematic medium is actually a composite interval,whose lowest limit is to record and reveal corporeal reality.Above the lowest limit,the corporeal reality is still awaiting further and deepening work through camera.The highest limit,however,is to reach the balance between realism and fiction,between recording and creating.Siegfried Kracauer suggests that the characteristic of cinematic medium has realistic tendency,whose inherent logic claims that film is deemed to be an existence in corporeal reality,which has a profound history and cultural motivation behind the theory.

关 键 词：克拉考尔 电影 物质现实 特性界限 近亲性 

分 类 号：J90[艺术—电影电视艺术] J901