论遗山词在民国词坛的接受  

On the Acceptance of Yuan Haowen's Ci in the Ci-poetry by the Poets of Republic of China

作　　者：蔡晓伟 赵永源[2] CAI Xiao-wei;ZHAO Yong-Yuan(Nanjing Normal University,Nanfing 210023,China;Jiangsu University,Zhenjiang 212000,China)

机构地区：[1]南京师范大学,江苏南京210023 [2]江苏大学,江苏镇江212000

出　　处：《忻州师范学院学报》2018年第6期22-27,53,共7页Journal of Xinzhou Teachers University

摘　　要：元好问37首《鹧鸪天》词在文学接受史上具有典范意义,在民国词坛上,有朱祖谋《鹧鸪天·广元裕之宫体八首》仿之,邵瑞彭《山禽余响》45首和之,潘圣予4首《鹧鸪天·和遗山》与蒋礼鸿3首《鹧鸪天·次遗山薄命辞韵》相继追和次韵。这种较大规模的对遗山词的创作接受活动,和民国词人对家国兴亡的思考与感受有密切的心理联系。上述词人在承传遗山词的家国情怀的同时,亦能有所新变,显示了民国词独特的艺术魅力。Yuan Haowen's 37 Zhe Gu Tian have a profound meaning in the history of literary acceptance.In the Ci-poetry of Republic of China,Zhu Zumou's 8 Zhe Gu Tian · Supplement Yuan Haowen's work,and Shao Ruipeng's 45 The birds calling in the mountains,Pan Shengyu's 4 Zhe Gu Tian · Responding to Yuan Haowen,Jiang Lihong's 3 Zhe Gu Tian is very important.This kind of large-scale creative acceptance activities has a close psychological connection with the thinking and feelings of the Republic of China on the rise and fall of the country.The above-mentioned literati can also make a new change hile inheriting the feelings of Yuan Haowen It shows the unique artistic charm of the Ci-poetry of Republic of China.

关 键 词：元好问 遗山词 《鹧鸪天》 民国 接受研究 

分 类 号：I207.22[文学—中国文学]