现代化语境下的蒙古族电影解读  

An Interpretation of Mongolian Films in the Modern Context

作　　者：乔亚楠 QIAO Ya-nan(Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学,北京100081

出　　处：《忻州师范学院学报》2018年第6期65-68,共4页Journal of Xinzhou Teachers University

摘　　要：文章以宁才导演拍摄的影片《季风中的马》为例,对影片草原人物塑造、民族文化诠释表征所体现的现代性、民族性冲突,城市、草原二元对立,两个空间话语权力的争夺,牧人身份认同危机等内蕴进行探讨,从而对现代化语境下的蒙古族电影进行解读。This article takes the film Season of the Horse shot by the director Ning Cai as an example to illustrate the implications within the film such as conflicts between modernity and nationality embodied in the characterization of the film’s figures on the grassland and in the interpretation of ethnic culture,the binary opposition between cities and grasslands,contention of discourses and power,and shepherd identity and identity crisis,so as to interpret Mongolian films in the modern context.

关 键 词：蒙古族电影 现代化 认同危机 话语争夺 

分 类 号：J951.1[艺术—电影电视艺术]