反对听觉新霸权——兼与周志强和王敦教授商榷  

Against the New Hegemony of Auditory Culture——A Discussion with Professor Zhou Zhiqiang and Wang Dun

作　　者：刘昕亭 Liu Xinting

机构地区：[1]中山大学中文系,副教授广州510275

出　　处：《探索与争鸣》2018年第12期113-118,151,共7页Exploration and Free Views

基　　金：国家社科基金规划项目"当代文论与‘去黑格尔化’研究"(13BZW004);广东省社科规划项目"文论创新与经典重译"(GD12CZW10)

摘　　要：在听觉文化研究已经于西方学术界遍地开花之际,一个中国本土的"听觉转向"正在兴起。听觉还是声音?听觉文化研究还是声音政治批评?结合当下有声出版、智能语音助手和听觉营销等"听觉中心主义"的新态势,正在勃兴的声音研究不应是亦步亦趋地仿照既有视觉文化研究,递进地将听觉提升至新霸权地位的范式类比。齐泽克等理论家开拓的声音的激进化道路,正在努力超越"语言学转向"以来的范式,寻找破解主体形而上学的新理论场域。When the study of auditory culture has been widely spread in western academic circles,a local "auditory culture turn"is emerging in China.Is it auditory culture or sound study?Is it auditory cultural study or sound political criticism?Considering the new trend of "audio-centrism"such as audio publishing,intelligent voice assistant and auditory marketing,the booming sound study is not to follow the existing visual culture step by step and promote the analogy of hearing to the new hegemony status.The radicalization of sound studies by theorists such as Zizek is striving to transcend the paradigm of the "linguistic turn"and finds new theoretical frontiers to hit the metaphysics subject.

关 键 词：声音研究 听觉文化 齐泽克 周志强 王敦 

分 类 号：G112[文化科学]