汉晋之际江南艺术世家的形成及特色——以琅邪王氏、陈郡谢氏为视域  

The Formation and Characteristics of Jiangnan Artistic Family at the Turn of the Han and the Jin Dynasties——Taking the Langya Wang Family and the Chenjun Xie Family as the Sight

作　　者：冯浩 马良怀[1] FENG Hao;MA Lianghuai(School of History and Culture,Central China Normal University,Wuhan 430079,China)

机构地区：[1]华中师范大学历史文化学院,湖北武汉430079

出　　处：《齐鲁学刊》2018年第6期101-105,共5页Qilu Journal

摘　　要：汉晋之际是艺术极度繁荣的时期,这一时期的艺术摆脱了对政治、社会的依附,获得了独立的地位,展现出独立的精神,取得了令人瞩目的成就。永嘉南渡后,东晋门阀政治确立,庄园经济的发展,人的觉醒,艺术的自觉,使得魏晋名士成为最早的"为艺术而艺术"的人,这都推动着江南艺术世家的形成,琅邪王氏、陈郡谢氏是其典型代表。汉晋之际江南艺术世家有着鲜明的特色,其家族成员具有多元化和个性化的艺术才能,秉承家族式的艺术传承方式,深受道家美学思想的影响,不仅山水审美意识贯穿着艺术实践的始终,而且接受了道家的人生哲学,以"恬淡"、"清和"的心境来面对社会和人生。At the turn of the Han and the Jin Dynasties,the art was extremely prosperous.During this period,the arts had got rid of the attachment to politics and society,gained an independent status,demonstrated an independent spirit,and made remarkable achievements.After the Yongjia Turbulence with its subsequent large-scale southern migration,the power and influence family's politics had established in the Eastern Jin Dynasty,the development of the manor economy,the awakening of people,caused the gentry group Wei-Jin period to become the first people group who "insisted on creating art because of loving art".These promoted the Jiangnan art family to form.The Langya Wang family and and the Chenjun Xie family are typical representatives.At the turn of the Han and the Jin Dynasties,the Jiangnan art family had distinct features,the family members had diversified and individualized artistic talents,and carried on the family-style art transmission method,they were deeply influenced by Taoist aesthetic thoughts,not only the aesthetic consciousness of landscape run through their practice of art, but also they accepted the Taoist philosophy of life,faced the society and life with the quiet and clear mind.

关 键 词：汉晋之际 江南艺术世家 琅邪王氏 陈郡谢氏 

分 类 号：I206.2[文学—中国文学]