从泼留什金的形象看果戈理的创新  

Gogol's innovafion from the Image of Plushkin

作　　者：陈新宇[1] Chen Xinyu

机构地区：[1]浙江大学外国语学院

出　　处：《俄罗斯文艺》2019年第1期98-103,共6页Russian Literature & Arts

基　　金：汪介之主持的国家社科基金重大项目"苏联科学院<俄国文学史>翻译与研究"(16ZDA196)阶段性成果

摘　　要：果戈理是俄罗斯19世纪著名的作家,与他的前辈作家相比,在叙事体裁、塑造的人物形象和写作语言方面都有创新。本文仅从作家《死魂灵》中的地主形象之一泼留什金的解读出发,来管窥果戈理在塑造吝啬鬼形象方面的创新之处。本文拟从俄罗斯本土文学语境中的泼留什金,欧洲文学语境中的泼留什金和泼留什金形象解读的医学视角三个方面来揭示果戈理的创新。Gogol is a famous Russian writer in the 19th centui'y.Compared with his predecessors,he is innovative in his narrative genre,his portrayal of characters and his writing language.This article starts from the interpretation of Plushkin,one of the landlords'images in the author's Dead Soul,to examine the Gogol's innovations in shaping the image of the miser.This paper intends to reveal Gogol's innovation from the following aspects:interpretation of Plushkin in the Context of Russian Literature,analysis of Plushkin in the Context of European Literature and looking at Plushkin from a medical perspective.

关 键 词：泼留什金 果戈理 创新性 医学视角 

分 类 号：I512.074[文学—其他各国文学]