论新世纪德语文学的叙事格调与审美取向  

On the Narrative Style and Aesthetic Orientation of German Literature in the 21^(st) Century

作　　者：张帆 李双志 Zhang Fan;Li Shuangzhi(Shanghai International Studies University,Shanghai,China (200083 );German at College of Foreign Languages and Literature of Fudan University,Shanghai,China (200433 ))

机构地区：[1]上海外国语大学德语系 [2]复旦大学外文学院德语系

出　　处：《当代外国文学》2018年第4期50-57,共8页Contemporary Foreign Literature

基　　金：国家社科重大招标课题"战后世界进程与外国文学进程研究"(11&ZD137);"万人计划"青年拔尖人才项目;教育部人文社科一般项目"德国女性文学史论研究";上海市I类高峰学科项目的阶段性成果

摘　　要：新世纪德语文学坚守庄重和雅正之根,聚焦"现实"与"真实"的回归和重塑。叙事格调与审美取向表现在,由峻急宏大的现实主义向温和的"小叙事"蜕变,对特定历史和现实的指涉成为叙事潮流,作者回归与"虚拟自传"的真实品格,"碎片化"拼贴叙事的"破碎的现实主义"。一种与后现代解构叙事、传统现实主义宏大叙事相映成趣的新现实主义"小叙事"勃然兴起,肩负起将德语小说再次推向世界的重任。German literature in the 21st century sticks to its inherited solemnity and righteousness while predominantly returning to "reality" and reshaping "truth." Its narrative style and aesthetic orientation are reflected in the transformation from harsh and grand realism to gentle "micro-narrative," in the author’s return and the authenticity of "autofiction," in the "fragmental" collage narrative of "broken realism." Such references to specific histories and realities have made a new narrative trend. Against the deconstructive narration of post-modernism and the grand narrative of traditional realism, a "mi-cro-narrative" of new realism springs up to shoulder the responsibility of reintroducing German novels to the world.

关 键 词：新世纪 德语文学 叙事格调 审美取向 

分 类 号：I106.4[文学—世界文学]