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作 者:段鹏[1] Duan Peng
机构地区:[1]中国传媒大学
出 处:《学术前沿》2018年第24期40-49,共10页Frontiers
摘 要:关于智能媒体和未来影像的研究在上个世纪既已出现,但国内外学界业界对其给予密集而深入地关注和研究却是近几年的事。梳理国内外相关研究成果,不难发现,与国外相比,当前国内的研究仍呈现出一定的滞后性和表层性特征。受资本驱动,且因为对技术的重视逐渐提升,国内近几年对智能媒体语境下的未来影像日益关注,但未来影像属于业界正在进行探索的热门领域,学术研究很多时候落后于业界实践。与国外研究旨趣偏重于学理性相比,国内对虚拟现实和全息影像背后的哲学、文化意义的探讨则相对较少。Research on intelligent media and future image first appeared in the last century, but academics at home and abroad have only begun to conduct intensive and in-depth research in recent years. A review of domestic and foreign research results finds that compared with their foreign counterpart, the current domestic research still lags behind and is relatively superficial. Driven by capital and due to the increasing emphasis on technology, China has been paying more and more attention to the future image in the context of intelligent media in recent years. But the future image is a hot area that the industry is exploring, and academic research often lags behind industry practices. Compared with the foreign researchers focusing their interests on the theoretical side, the Chinese academics discuss much less over the philosophical and cultural significance behind virtual reality and holographic images.
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