论苏联展览馆与中苏建筑设计交流  

On the Soviet Union Exhibition Halls and the China and the Soviet Union Architectural Design Exchanges

作　　者：郑立君[1] ZHENG Li-jun(School of Arts,Hangzhou Normal University,Hangzhou,Zhejiang 310012)

机构地区：[1]杭州师范大学美术学院,浙江杭州310012

出　　处：《艺术百家》2018年第5期163-169,共7页Hundred Schools In Arts

摘　　要：1953至1955年在中国设计建造的四座苏联展览馆,是苏联提倡"社会主义现实主义""民族形式"和"社会主义内容"的建筑设计思想原则在中国传播与发展的重要表现。苏联展览馆从具体作品上实现了中苏建筑设计的交流与融合,促进了当时中国建筑师、艺术家和工程师对这三个建筑设计思想原则的深刻认识与实践运用,成为中华人民共和国成立之初中苏建筑设计交流的重要符号。但这个符号也被深深地打上了政治烙印,即苏联展览馆既体现着加强两国人民友谊、促进两国文化艺术交流与合作的美好意愿,也有着巩固各自国家政权政治、促进社会主义建设和维系社会主义阵营的目的与意义,尤其是隐含着苏方巩固其在社会主义阵营的领导地位,实现其世界霸权主义的政治意图。These four Soviet exhibition halls built and designed from 1955 to 1953 in China are the important presen- tation of the dissemination and development of the architectural design principles in China including "socialist realism"and "national form"and "socialist content"which are advocated by the Soviet Union.The Sino -Soviet exhibition hall makes the exchanges and integration of architectural design with China come true through the concrete works, which promotes profound understanding and practice of new Chinese architects,artists and engineers on these three architectural design principles and becomes the significant symbol that Sino -Soviet architectural design:exchanges at the beginning of the founding of new China.But this symbol has also been deeply marked by political brand,in which the Soviet Union exhibition hall not only embodies the good will of strengthening the friendship between the two peoples and promoting cultural exchanges and cooperation between the two countries,but also presents the purpose and significance of consolidating their own national political regime and facilitating socialist construction and maintaining socialist camp,especially implies the Soviet political intentions of consolidating its position in the socialist camp and realizing the world hegemony.

关 键 词：苏联展览馆 建筑设计交流 政治意图 

分 类 号：J59[艺术—艺术设计]