“一带一路”语境下中国西部片的现实可能与审美特征  

The Realistic Possibility and Aesthetic Characteristics of Chinese Western Films in the Content of the Belt and Road

作　　者：孔令顺[1] KONG Ling-shun(School of Journalism and Communication, Guangzhou University, Guangzhou , Guangdong 510006)

机构地区：[1]广州大学新闻与传播学院,广东广州510006

出　　处：《艺术百家》2018年第4期132-137,共6页Hundred Schools In Arts

基　　金：2013年度国家社科基金一般项目“文化产业背景下中国电视的媒体责任问题研究”(项目编号:13BXW022)阶段性成果之一.

摘　　要：中国有丰富多彩的西部电影,虽取得了巨大成就,但缺乏严格类型学意义上的西部片。"一带一路"倡议的实施、电影产业的迅猛发展和电影艺术的逐渐成熟呼唤中国西部片的出现。通过梳理中国西部电影的发展脉络,借鉴美国西部片的商业类型模式,从而探讨构建中国西部片的现实可能与审美特征。There are a considerable amount of western films which have gotten great achievement in China. However, most of them cannot be seen as the true western films in terms of typology and movie theory. The implementation of the Belt and Road initiative , the rapid development of the film industry and the maturity of film art have fostered the emergence of Chinese true western films. In such cases, the present study explores the realistic possibility and aesthetic characteristics of Chinese western films based on reviewing the development of Chinese western films and referring the commercial style of American western films.

关 键 词：一带一路 西部片 西部精神 审美特征 

分 类 号：J90[艺术—电影电视艺术]