“诗史”传统与晚明清初的乐府变运动  

The Tradition of “Poetic History”and the “Variety of Music Bureau” Movement in the Late Ming and Early Qing Period

作　　者：叶晔[1] Ye Ye

机构地区：[1]浙江大学中国语言文学系

出　　处：《文史哲》2019年第1期75-88,167,共15页Literature,History,and Philosophy

摘　　要：以王世贞《乐府变》组诗为肇端,从明嘉靖末年至清康熙初年,诗坛兴起过一次以新题乐府为体式、以讽咏今事为宗旨、以"诗史"学说为理论纲领的创作潮流。这场乐府变运动宗尚唐代杜甫等人的新题乐府创作,又因其自觉、独立、针对性极强的"诗史"书写意识,有别于唐代的新乐府运动,成为晚明大变局和明清王朝鼎革在诗歌创作中的一次现实反映。这是晚明文学中亟待挖掘的一个重要文学现象,同时也为我们重新认识清初"梅村体"的诗学渊源及晚近传统,提供了一条新的路径。Starting with Wang Shizhen’s suite poems of"Variety of Yuefu,"there once rose a creation trend in poetic circle characterized by the style of new yuefu,the purpose of satirizing current matters,and theoretical guideline of"poetic history"from the later Jiajing reign to the early Kangxi reign.This movement advocated the newyuefucreations wrote by Du Fu and other Tang poets,yet differed from the Tang yuefu for the poets’independent and targeted consciousness of"poetic history,"which formed a realistic reflection of the great changes in late Ming and the change of regime between the Ming and Qing dynasties.Meanwhile,this significant literary pheonomenon provides a new approach for understanding the poetic origin and modern tradition of the Meicun style.

关 键 词：王世贞 乐府变 新题乐府 诗史 梅村体 

分 类 号：I207.22[文学—中国文学]