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作 者:李玉晶 Li Yujing(School of Literature and Journalism,Guangdong Ocean University,Zhanjiang ,Guangdong,524088;School of Oriental and African Studies,University of London ,London,U.K.,WC1HOXG)
机构地区:[1]广东海洋大学文学与新闻传播学院,广东湛江524088 [2]伦敦大学亚非学院
出 处:《西北民族大学学报(哲学社会科学版)》2019年第1期114-121,共8页Journal of Northwest Minzu University(Philosophy and Social Sciences)
基 金:广东省哲学社会科学"十二五"规划项目"戏源词汇泛化研究"(项目编号:GD15YZW03)
摘 要:中国戏曲艺术源远流长,戏源词汇的形成演变与戏曲行业的产生发展密切相关。戏源词汇总是处在不断的发展变化之中,会出现新词产生、旧词消亡、跨域使用、语义泛化等现象。究其原因,既是词汇系统发展的一般规律使然,又与戏曲行业自身的特性有关。思维联想规律以及人们的语用心理也促进了戏源词汇的发展演变。戏源词汇的泛化受使用频率的影响,与使用频率呈正相关性,使用频率越高的词语越容易泛化。The development of opera art in China has a long history.The formation and evolution of words originated from Chinese opera are closely related to the emergence and development of the opera industry.The words of opera origin are always in the constant development and change,and there will be the emergence of new words,the disappearance of old words,cross-register application,semantic generalization and other situations.It is not only related to the general law of the development in lexical system,but also to the characteristics of the opera industry itself.Thinking association rules and people’s pragmatic psychology also promote the development and evolution of these words.The frequency of usage is positively correlated with the generalization of the words originated from opera,and the more frequently used words are,the more likely they are to be generalized.
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