繁昌窑青白瓷图形文化地域特征和审美意蕴探解  

Exploration of the regional characteristics and aesthetic implications of the graphics and culture of the celadon and white porcelain in Fanchang kiln

作　　者：朱铁军 ZHU Tiejun(College of Art,Anhui University of Engineering,Wuhu 241000,China)

机构地区：[1]安徽工程大学艺术学院,安徽芜湖241000

出　　处：《辽宁工程技术大学学报（社会科学版）》2018年第6期447-453,共7页Journal of Liaoning Technical University(Social Science Edition)

基　　金：2017年安徽工程大学国家社会科学基金预研项目(2017yyrw01);2013年度国家社会科学基金艺术学项目(13BG058)

摘　　要：繁昌窑是二十世纪八九十年代确立的最早烧制中国陶瓷史上的重要品种青白瓷的古代窑址,对研究我国青白瓷及南方白瓷的起源等问题都具有重要的学术意义。通过考究繁昌窑青白瓷及其图形文化的历史渊源与背景,紧密结合地方文化与民俗,深入研析其图形文化所彰显的集质朴风华、恬淡温润、刚柔有度的江南气质与风韵及其饱蕴的卓而不群的江南情愫为一体的鲜明的地域特征,并进而揭示出以繁昌窑青白瓷为代表的古代江南地域陶瓷图形文化密码。Fanchang kiln is the ancient kiln site of the first important type of celadon and white porcelain in the history of Chinese ceramics, which was established in the 1980 s and 1990 s. It is of great academic significance to study the origin of celadon and white porcelain in China and white porcelain in the south. By investigating the historical origin and background of the celadon and white porcelain of Fanchang kiln and its graphic culture, and closely combining local culture and folk customs, this paper deeply studies the distinct regional characteristics of its graphic culture, which are characterized by its simple, elegant, gentle, rigid and soft temperament and charm of the south of the Yangtze River and its rich and outstanding feelings of the south of the Yangtze River. Furthermore, it reveals the cultural code of ancient Jiangnan ceramics graphics represented by Fanchang kiln celadon and white ceramics.

关 键 词：繁昌窑 青白瓷 图形文化 江南情愫 地域特征 

分 类 号：J527[艺术—艺术设计]