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出 处:《Fudan Journal of the Humanities and Social Sciences》2018年第4期465-485,共21页复旦人文社会科学论丛(英文版)
摘 要:This article explores the rhetoric and mass mediation of the national Holocaust Memorial Day (HMD)commemoration ceremony,as broadcast on British television.Following the recommendation of the Stockholm International Forum,since 2001,Britain has commemorated victims of the Holocaust and subsequent genocides on 27 January.The national commemoration has been broadcast on television five times:in 2001,2002,2005,2015 and 2016.These programmes both reflect and illuminate the complex processes of (national)histories,individual memory and collective remembrance,and the ways that they mediate and interact with each other in social and historic contexts.I argue that these televised ceremonies orientate to four communicative metafunctions,the combination of which is particular to this media genre.They aim to simultaneously achieve four things:to Communicate History ('what happened');to Communicate Values ('why we commemorate');to Communicate Solemnity ('how we commemorate');and to Communicate Hope ('that we are not defined by this catastrophic past').In this article,I examine:the ways that these metafunctions are communicated through words,music and images;and 'some of the ways that these metafunctions can rhetorically derail,undermining their communication.
关 键 词:Broadcasting TELEVISION HOLOCAUST MEMORIAL Day COMMEMORATION RHETORICAL analysis
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